Never gonna not dance again
Never gonna not dance again
My shot, digitally composited, continuing my half and half (HAH) triptychs project.
Theodore Crush
Image size: 5970 x 3000, 4.31Mb | Camera details: NIKON D7200 | Date uploaded: 18/05/2023
- gorgeous, blue, eyes, eye, contact, catchlight
- blonde, female
- black, shiny, bondage, tape, boob, tube
- lace, gloves, embroidered, mask
- controlled, light
- raised, arms, hands, not, visible, behind, head
- red, drop, jewel, earrings
- rouge, snakeskin, choker, metal, ring
- portraits, triptych, colour, monochrome, half
- wicked, smile, lines, allure
Available as:
A superb high gloss finish printed directly onto 4mm acrylic with a protective backing coat applied. Comes complete with 4 brushed aluminium effect stand off mounts. Please note all sizes quoted are in inches. Please allow up to 14 working days for delivery of this product.
Designed to cover a large amount of wall space, canvas prints are ideal for big rooms. We only use 100% cotton canvas with a thickness of 340GSM, not cheap synthetic fibre alternatives. All dimensions for canvas products are in inches. Our normal finish is to 'wrap' the edges - please e-mail us at time of order if you require mirrored, black or white edges.
We print with a 12 colour process, this means we can print a much larger colour range than most printing companies that normally use a 4 or 8 colour process. All sizes for our gloss paper prints are in inches. Please note prints are supplied without mounts or frames.
We print with a 12 colour process, this means we can print a much larger colour range than most printing companies that normally use a 4 or 8 colour process. All sizes for our satin paper prints are in inches. Please note our prints are supplied without mounts or frames.
Recent Works by Theodore Crush
Please allow me to introduce myself I'm a man of wealth and taste
A bit of how this came to be: This took alot of time and expense in addition to the time and expense I've spent thus far on my photography journey. First off, buying the masks, the LED lights for their eyes, fishing wire, reflector backdrop (the tinsel I borrowed). Out of shot my tripod stands and suspension bar and three ring lights. Then there was the 75 minute drive each way and petrol to be resident house photographer at the Masquerade Ball event but this gave me access to many wonderful models and sartorial options provided by including Mothy and Antonia who are the subjects here The lighting at the venue was not controllable enough to deliver the impact I desired at time of shooting for my vision (I try and achieve what I want in camera) so then there's the time spent post editing. All this said, I'm satisfied the effort delivered the desired outcome, I hope you enjoy it too.
Fine Arts Triptych
It's hard to appreciate Drury's twice life-size bronze allegorical 'Fine Arts' from Vauxhall Bridge - you won't even notice it if you don't glance over the side (or look up from a boat). I've captured it from 3 different angles here, through bridge railings, zoomed in on from the other side and a camera risking beyond the bridge shot!
Architecture
Did you know there is a miniature St Paul's cathedral upstream on the River Thames from the actual St Paul's cathedral It's part of Pomeroy's superb bronze allegorical statue 'Architecture' situated on the architecture of Vauxhall Bridge. I risked my camera to get this shot, digitally edited into a triptych as part of my HAH* project (*half and half).
He loves me, he loves me not
Post composite/duplicate edit of my photo to produce an image redolent of an oxeye daisy. The title is inspired by the oxeye being linked symbolically to divination, leading to the modern game of ‘he loves me, he loves me not’ where petals are picked to determine luck in love.
